The Heritage of Ancestors : Early Studies on Armenian Manuscripts and Miniature Painting
Published in:
- Venezia Arti. - 2018, vol. 27, p. 81-102
English
This essay deals with the emergence of scholarship on medieval Armenian artifacts with a particular emphasis on the study of manuscripts and miniature painting, and covers the period from the mid-nineteenth century until the beginning of the twentieth century. While the title of this article may appear to stress the heritage of the Armenians as belonging to a ‘national culture’, it also alludes to some early approaches, according to which the origins of non-Armenian arts were also sought in medieval Armenia. Amidst the growing waves of contemporary imperialist and nationalist sentiments in the nineteenth-early twentieth centuries, the interest in Armenian miniature painting commenced almost simultaneously in four different intellectual milieus – Russian, German-speaking, French, and Armenian – each approaching the subject from its own perspective and motivated by issues specific to the given cultural-political realm.
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Faculty
- Faculté des lettres et des sciences humaines
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Department
- Département d'histoire de l'art et d'archéologie
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Language
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Classification
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Painting
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License
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License undefined
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Identifiers
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Persistent URL
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https://folia.unifr.ch/unifr/documents/307482
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