Bridel, Caroline 2023 This paper proposes the analysis of late antique Christian iconography through the study of two iconographic schemes: the banquet-sigma and the representations of Jesus before Pontius Pilate. Each of these schemes testifies in its own way to a dynamic of iconographic creation, a visual strategy, nourished by the shared knowledge of images that the population of Late Antiquity had independently of its religious affiliation. Conducted under the filter of religious competition, this study shows that late antique images were shifting and that their motifs conveyed meanings that different religious groups could appropriate to convey their message. Amongst the important changes in Late Antiquity such as the establishment of new religious categories and hierarchies, images played a role and we will explore through this lens the notion of iconographic competition. application/pdf https://folia.unifr.ch/global/documents/326478 https://folia.unifr.ch/documents/326478/files/cbridel_ractaii.pdf fre info:eu-repo/semantics/openAccess License undefined RACTA II 2021: Ricerche di Archeologia Cristiana,Tarda Antichità e Alto Medioevo II. Colloquio Internazionale tra dottorandi e dottori di ricerca: Roma, 1-3 febbraio 2021 / D. Benoci, D. Lombardo, F. Tagliatesta (eds.). - 2023, p. 28-34 iconographie paléochrétienne Antiquité tardive sarcophages chrétiens banquets Ponce-Pilate info:eu-repo/classification/udc/2 Les banquets-sigma et les représentations de Jésus devant Ponce-Pilate comme exemples d'une compétition iconographique ? http://purl.org/coar/resource_type/c_5794