<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:creator>Bacci, Michele</dc:creator>
  <dc:date>2003</dc:date>
  <dc:description xmlns:ns0="xml" ns0:lang="en">This paper focuses on the ways in which the most important cult-image in Medieval Lucca, the so-called "Volto Santo" (holy face) came to be regarded by contemporary viewers as a true-to-life image of Christ, sculpted by the Pharisee Nicodemus. The paper emphasizes also the connection with the liturgical tradition of the Passio ymaginis feast on November 9 and its literary and ritual framework.</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:identifier>https://folia.unifr.ch/global/documents/306195</dc:identifier>
  <dc:identifier>https://folia.unifr.ch/documents/306195/files/baccimichele2003adipsiuschristieffigiem.ilvoltosantocomeritrattoautenticodelsalvatore.pdf</dc:identifier>
  <dc:language>ita</dc:language>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>License undefined</dc:rights>
  <dc:source>La Santa Croce di Lucca, il Volto Santo. Storia, tradizioni, immagini , proceedings of a congress held in Lucca. - Lucca: Editori dell’Acero. - 2003, p. 115-130</dc:source>
  <dc:subject xmlns:ns1="xml" ns1:lang="en">Lucca</dc:subject>
  <dc:subject xmlns:ns2="xml" ns2:lang="en">Volto Santo</dc:subject>
  <dc:subject xmlns:ns3="xml" ns3:lang="it">Lucca</dc:subject>
  <dc:subject xmlns:ns4="xml" ns4:lang="it">Volto Santo</dc:subject>
  <dc:subject>info:eu-repo/classification/udc/7.071</dc:subject>
  <dc:title xmlns:ns5="xml" ns5:lang="it">"Ad ipsius Christi effigiem": il Volto Santo come ritratto autentico del Salvatore</dc:title>
  <dc:type>http://purl.org/coar/resource_type/c_5794</dc:type>
</oai_dc:dc>