<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:creator>Wurtz, Pascal</dc:creator>
  <dc:creator>Mueri, René M.</dc:creator>
  <dc:creator>Wiesendanger, Mario</dc:creator>
  <dc:date>2009-02-10</dc:date>
  <dc:description xmlns:ns0="xml" ns0:lang="en">When sight-reading a piece of music the eyes constantly scan the score slightly  ahead of music execution. This separation between reading and acting is commonly  termed eye-hand span and can be expressed in two ways: as anticipation in notes or  in time. Previous research, predominantly in piano players, found skill-dependent  differences of eye-hand span. To date no study has explored visual anticipation in  violinists. The present study investigated how structural properties of a piece of music  affect the eye-hand span in a group of violinists. To this end eye movements and bow  reversals were recorded synchronously while musicians sight-read a piece of music.  The results suggest that structural differences of the score are reflected in the eye- hand span in a way similar to skill level. Specifically, the piece with higher complexity  was associated with lower anticipation in notes, longer fixation duration and a  tendency for more regressive fixations. Anticipation in time, however, remained the  same (~1 s) independently of the score played but was correlated with playing tempo.  We conclude that the eye-hand span is not only influenced by the experience of the  musician, but also by the structure of the score to be played.</dc:description>
  <dc:format>application/pdf</dc:format>
  <dc:identifier>https://folia.unifr.ch/global/documents/301190</dc:identifier>
  <dc:identifier>https://folia.unifr.ch/documents/301190/files/Exp_Brain_Res_2009_.pdf</dc:identifier>
  <dc:language>eng</dc:language>
  <dc:relation>info:eu-repo/semantics/altIdentifier/doi/10.1007/s00221-009-1719-3</dc:relation>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>License undefined</dc:rights>
  <dc:source>Experimental Brain Research. - 2009, vol. 194, no. 3, p. 445-450</dc:source>
  <dc:subject xmlns:ns1="xml" ns1:lang="en">violin playing</dc:subject>
  <dc:subject xmlns:ns2="xml" ns2:lang="en">sight reading</dc:subject>
  <dc:subject xmlns:ns3="xml" ns3:lang="en">music reading</dc:subject>
  <dc:subject xmlns:ns4="xml" ns4:lang="en">eye-hand span</dc:subject>
  <dc:subject xmlns:ns5="xml" ns5:lang="en">eye</dc:subject>
  <dc:subject xmlns:ns6="xml" ns6:lang="en">movements</dc:subject>
  <dc:subject>info:eu-repo/classification/udc/57</dc:subject>
  <dc:title xmlns:ns7="xml" ns7:lang="en">Sight-reading of violinists: eye movements anticipate the musical flow</dc:title>
  <dc:type>http://purl.org/coar/resource_type/c_6501</dc:type>
</oai_dc:dc>
